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ਸ਼੍ਰੀ ਦਸਮ ਗ੍ਰੰਥ

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ਕਟਿ ਗਏ ਗਜ ਬਾਜਨ ਕੇ ਬਰਮਾ ॥੮॥੨੬੧॥
katt ge gaj baajan ke baramaa |8|261|

Somewhere the armours of elephants and horses were cut down.8.261.

ਜੁਗਨ ਦੇਤ ਕਹੂੰ ਕਿਲਕਾਰੀ ॥
jugan det kahoon kilakaaree |

Somewhere the vamps were raising joyful shrieks

ਨਾਚਤ ਭੂਤ ਬਜਾਵਤ ਤਾਰੀ ॥
naachat bhoot bajaavat taaree |

Somewhere the ghosts were dancing, while clapping their hands

ਬਾਵਨ ਬੀਰ ਫਿਰੈ ਚਹੂੰ ਓਰਾ ॥
baavan beer firai chahoon oraa |

The fifty-two heroic spirits were wandering in all the four directions

ਬਾਜਤ ਮਾਰੂ ਰਾਗ ਸਿਦਉਰਾ ॥੯॥੨੬੨॥
baajat maaroo raag sidauraa |9|262|

Maru musical mode was being played.9.262.

ਰਣ ਅਸ ਕਾਲ ਜਲਧ ਜਿਮ ਗਾਜਾ ॥
ran as kaal jaladh jim gaajaa |

The war was waged so violently as if the ocean was thundering

ਭੂਤ ਪਿਸਾਚ ਭੀਰ ਭੈ ਭਾਜਾ ॥
bhoot pisaach bheer bhai bhaajaa |

The gathering of ghosts and goblins ran away in great feat.

ਰਣ ਮਾਰੂ ਇਹ ਦਿਸ ਤੇ ਬਾਜ੍ਯੋ ॥
ran maaroo ih dis te baajayo |

The Maru Raga was played from this side,

ਕਾਇਰੁ ਹੁਤੋ ਸੋ ਭੀ ਨਹਿ ਭਾਜ੍ਯੋ ॥੧੦॥੨੬੩॥
kaaeir huto so bhee neh bhaajayo |10|263|

Which made even the cowards so courageous that they did not run away form the battlefield.10.263.

ਰਹਿ ਗਈ ਸੂਰਨ ਖਗ ਕੀ ਟੇਕਾ ॥
reh gee sooran khag kee ttekaa |

The support of the sword remained only with the warriors.

ਕਟਿ ਗਏ ਸੁੰਡ ਭਸੁੰਡ ਅਨੇਕਾ ॥
katt ge sundd bhasundd anekaa |

The trunks of many elephants were chopped off.

ਨਾਚਤ ਜੋਗਨ ਕਹੂੰ ਬਿਤਾਰਾ ॥
naachat jogan kahoon bitaaraa |

Somewhere the vamps and Baitals danced.

ਧਾਵਤ ਭੂਤ ਪ੍ਰੇਤ ਬਿਕਰਾਰਾ ॥੧੧॥੨੬੪॥
dhaavat bhoot pret bikaraaraa |11|264|

Somewhere the terrible ghosts and goblins were running here and there.11.264.

ਧਾਵਤ ਅਧ ਕਮਧ ਅਨੇਕਾ ॥
dhaavat adh kamadh anekaa |

Many trunks cut into halves were running.

ਮੰਡਿ ਰਹੇ ਰਾਵਤ ਗਡਿ ਟੇਕਾ ॥
mandd rahe raavat gadd ttekaa |

The princes were fighting and were stabilizing their positions.

ਅਨਹਦ ਰਾਗ ਅਨਾਹਦ ਬਾਜਾ ॥
anahad raag anaahad baajaa |

The musical modes were played with such intensity,

ਕਾਇਰੁ ਹੁਤਾ ਵਹੈ ਨਹੀ ਭਾਜਾ ॥੧੨॥੨੬੫॥
kaaeir hutaa vahai nahee bhaajaa |12|265|

That even the cowards did not run away from the field.12.265.

ਮੰਦਰ ਤੂਰ ਕਰੂਰ ਕਰੋਰਾ ॥
mandar toor karoor karoraa |

Million of drums and musical instruments sounded.

ਗਾਜ ਸਰਾਵਤ ਰਾਗ ਸੰਦੋਰਾ ॥
gaaj saraavat raag sandoraa |

The elephants also joined this music with their trumpets.

ਝਮਕਸਿ ਦਾਮਨ ਜਿਮ ਕਰਵਾਰਾ ॥
jhamakas daaman jim karavaaraa |

The swords gleamed like lightning,

ਬਰਸਤ ਬਾਨਨ ਮੇਘ ਅਪਾਰਾ ॥੧੩॥੨੬੬॥
barasat baanan megh apaaraa |13|266|

And the shafts came like rain from clouds.13.266.

ਘੂਮਹਿ ਘਾਇਲ ਲੋਹ ਚੁਚਾਤੇ ॥
ghoomeh ghaaeil loh chuchaate |

The wounded warriors with dripping blood revolved,

ਖੇਲ ਬਸੰਤ ਮਨੋ ਮਦ ਮਾਤੇ ॥
khel basant mano mad maate |

As if the intoxicated persons are playing Holi.

ਗਿਰ ਗਏ ਕਹੂੰ ਜਿਰਹ ਅਰੁ ਜੁਆਨਾ ॥
gir ge kahoon jirah ar juaanaa |

Somewhere the armour and the warriors had fallen

ਗਰਜਨ ਗਿਧ ਪੁਕਾਰਤ ਸੁਆਨਾ ॥੧੪॥੨੬੭॥
garajan gidh pukaarat suaanaa |14|267|

Somewhere the vultures shrieked and the dogs barked.14.267.

ਉਨ ਦਲ ਦੁਹੂੰ ਭਾਇਨ ਕੋ ਭਾਜਾ ॥
aun dal duhoon bhaaein ko bhaajaa |

The forces of both the brothers ran helter and skelter.

ਠਾਢ ਨ ਸਕਿਯੋ ਰੰਕੁ ਅਰੁ ਰਾਜਾ ॥
tthaadt na sakiyo rank ar raajaa |

No pauper and king could stand there (before Ajai Singh).

ਤਕਿਓ ਓਡਛਾ ਦੇਸੁ ਬਿਚਛਨ ॥
takio oddachhaa des bichachhan |

The running kings with their forces entered the beautiful country of Orissa,

ਰਾਜਾ ਨ੍ਰਿਪਤਿ ਤਿਲਕ ਸੁਭ ਲਛਨ ॥੧੫॥੨੬੮॥
raajaa nripat tilak subh lachhan |15|268|

Whose king ‘Tilak’ was a person of good qualities.15.268.

ਮਦ ਕਰਿ ਮਤ ਭਏ ਜੇ ਰਾਜਾ ॥
mad kar mat bhe je raajaa |

The kings who get intoxicated with wine,

ਤਿਨ ਕੇ ਗਏ ਐਸ ਹੀ ਕਾਜਾ ॥
tin ke ge ais hee kaajaa |

All their errands are destroyed like this.

ਛੀਨ ਛਾਨ ਛਿਤ ਛਤ੍ਰ ਫਿਰਾਯੋ ॥
chheen chhaan chhit chhatr firaayo |

(Ajai Singh) sezed the kingdom and held the canopy on his head.

ਮਹਾਰਾਜ ਆਪਹੀ ਕਹਾਯੋ ॥੧੬॥੨੬੯॥
mahaaraaj aapahee kahaayo |16|269|

He caused himself to be called Maharaja.16.269.

ਆਗੇ ਚਲੇ ਅਸ੍ਵਮੇਧ ਹਾਰਾ ॥
aage chale asvamedh haaraa |

The defeated Asumedh was running in front,

ਧਵਹਿ ਪਾਛੇ ਫਉਜ ਅਪਾਰਾ ॥
dhaveh paachhe fauj apaaraa |

And the great army was pursuing him.

ਗੇ ਜਹਿ ਨ੍ਰਿਪਤ ਤਿਲਕ ਮਹਾਰਾਜਾ ॥
ge jeh nripat tilak mahaaraajaa |

Asumedh went to the kingdom of Maharaja Tilak,

ਰਾਜ ਪਾਟ ਵਾਹੂ ਕਉ ਛਾਜਾ ॥੧੭॥੨੭੦॥
raaj paatt vaahoo kau chhaajaa |17|270|

Who was a most appropriate king.17.270.

ਤਹਾ ਇਕ ਆਹਿ ਸਨਉਢੀ ਬ੍ਰਹਮਨ ॥
tahaa ik aaeh snaudtee brahaman |

There lived a Sanaudhi Brahmin.

ਪੰਡਤ ਬਡੇ ਮਹਾ ਬਡ ਗੁਨ ਜਨ ॥
panddat badde mahaa badd gun jan |

He was a very great Pundit and had many great qualities.

ਭੂਪਹਿ ਕੋ ਗੁਰ ਸਭਹੁ ਕੀ ਪੂਜਾ ॥
bhoopeh ko gur sabhahu kee poojaa |

He was the preceptor of the king and all worshiped him.

ਤਿਹ ਬਿਨੁ ਅਵਰੁ ਨ ਮਾਨਹਿ ਦੂਜਾ ॥੧੮॥੨੭੧॥
tih bin avar na maaneh doojaa |18|271|

None other was abored there.18.271.

ਗੁਰੂ ਗੋਬਿੰਦ ਸਿੰਘ ਜੀ
ਭੁਜੰਗ ਪ੍ਰਯਾਤ ਛੰਦ ॥
bhujang prayaat chhand |

BHUJANG PRAYAAT STANZA

ਕਹੂੰ ਬ੍ਰਹਮ ਬਾਨੀ ਕਰਹਿ ਬੇਦ ਚਰਚਾ ॥
kahoon braham baanee kareh bed charachaa |

Somewhere there was the recitation of Upnishads and somewhere there was discussion about the Vedas.

ਕਹੂੰ ਬਿਪ੍ਰ ਬੈਠੇ ਕਰਹਿ ਬ੍ਰਹਮ ਅਰਚਾ ॥
kahoon bipr baitthe kareh braham arachaa |

Somewhere the Brahmins were seated together and worshipping Brahman

ਤਹਾ ਬਿਪ੍ਰ ਸਨੌਢ ਤੇ ਏਕ ਲਛਨ ॥
tahaa bipr sanauadt te ek lachhan |

There the Sanaudh Brahmin lived with such qualifications:

ਕਰੈ ਬਕਲ ਬਸਤ੍ਰੰ ਫਿਰੈ ਬਾਇ ਭਛਨ ॥੧॥੨੭੨॥
karai bakal basatran firai baae bhachhan |1|272|

He wore the clothes of the leaves and bark of birch tree and moved around subsisting only on air.1.272.

ਕਹੂੰ ਬੇਦ ਸਿਯਾਮੰ ਸੁਰੰ ਸਾਥ ਗਾਵੈ ॥
kahoon bed siyaaman suran saath gaavai |

Somewhere the hymns of Sam Veda were sung melodiously

ਕਹੂੰ ਜੁਜਰ ਬੇਦੰ ਪੜੇ ਮਾਨ ਪਾਵੈ ॥
kahoon jujar bedan parre maan paavai |

Somewhere the Yajur Veda was being recited and honours were received

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